Lue keskustelun säännöt.
Jeesus sanoi että hybridit tulevat ja aurinkojumalan poika, antikristus!
27.07.2026 |
Antikristus on aurinkojumalan poika ja esiintyy paavina,
Sol incivtus oli Rooman jumala jota Konstantinuskin palvoi koko elämänsä ja vasta kuolinvuoteellaan otti kristillisen kasteen, koko Rooman kristillistäminen oli antikristuksen projekti johtaa Rooma Sol Invictuksen palvontaan ja syntyi antikristusken eli Rooman kirkko jossa symboloina edelleen Vatikaanissa on Sol Invictuksen aurinko
lopunaikana esiintyy saarnaajia jotka ovat oikeasti hybridiolentoja
The Artistic Connection: Christ as the Sun
Early Christians frequently repurposed pagan imagery to visually communicate Jesus' identity to a Roman public accustomed to solar devotion. [1]
The Vatican Mosaic: The most famous artifact linking the two is found beneath the Vatican. Located in Tomb M (The Tomb of the Julii) within the Vatican Necropolis directly below St. Peter's Basilica, there is a late 3rd-century mosaic. [1, 2, 3]
The Imagery: The mosaic depicts Christ as Sol Invictus (or Christ-Helios). He is shown riding a solar chariot across the sky, his head adorned with a radiant halo of sun rays. This blending reflects how early believers used the popular "Light of the World" metaphor to transition pagan concepts into Christian theology. [1, 2, 3, 4, 5]
The Calendar Connection: December 25th and Sunday
The Roman state's solar calendar heavily influenced early Church timelines. [1]
Christmas: The birthday festival of the Unconquered Sun (Dies Natalis Solis Invicti) was celebrated on December 25th, following the winter solstice. By the mid-4th century, the Church in Rome chose December 25th to celebrate the Nativity of Christ. This move effectively countered the pagan festival by framing Jesus as the true "Sun of Righteousness." [1, 2]
Day of Rest: Emperor Constantine was a devotee of Sol Invictus before his full embrace of Christianity. In 321 CE, he officially decreed Sunday ("the venerable day of the Sun") as the Roman day of rest. The Christian Church subsequently cemented this day for its weekly worship. [1, 2, 3]
Key Historical Transitions
Era / EventImperial PolicyImpact on the Church
274 CE (Aurelian)
Establishes Sol Invictus as Rome's supreme state deity.
Conditions the Roman public to look toward a single, supreme divine authority.
312–321 CE (Constantine)
Blends solar devotion with growing favor toward Christians.
Elevates Sunday as a rest day; mints coins using both Christian and solar symbols.
323–336 CE (Shift)
Constantine fully abandons solar iconography for Christian symbols.
First recorded celebration of Christmas on December 25th in Rome (336 CE).
Kommentit (2)
Sisältö jatkuu mainoksen alla
Sisältö jatkuu mainoksen alla
https://en.wikipedia.org/wiki/Tomb_of_the_Julii
The serendipitous discovery near the crypt has a vaulted ceiling bearing a mosaic depicting a solar deity with an aureole riding in his chariot,[2] within a framing of rinceaux of vine leaves. Date: 266 CE[3]
The surrounding Christian iconography, such as other mosaics in this tomb depicting Jonah and the whale, the good shepherd carrying a lamb (the kriophoros motif), and fishermen have led to an interpretation of the deity as Christ, known in this form as "Christus-Sol" or "Christ-Apollo". Due to these symbols, the tomb is interpreted as an early Christian vault.[4] Allen Brent has described it as a "synthesis between Christ and Apollo", in the context of Emperor Aurelian's promotion of Sol Invictus as the chief god of the Roman Empire. According to Brent, Sol Invictus - "with whom Apollo also could be identified" - represented the "shared deity of all individual gods", and the Christian creators of the Tomb of the Julii wished to "express the metaphysical order in the cosmos in terms of a Christian syncretism".[5]v